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Please use this identifier to cite or link to this item: https://hdl.handle.net/10923/14670
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dc.contributor.authorCharles Monteiro-
dc.date.accessioned2019-04-30T12:56:13Z-
dc.date.available2019-04-30T12:56:13Z-
dc.date.issued2018-
dc.identifier.issn0101-4064-
dc.identifier.urihttp://hdl.handle.net/10923/14670-
dc.language.isopt_BR-
dc.relation.ispartofESTUDOS IBERO-AMERICANOS (PUCRS. IMPRESSO)-
dc.rightsopenAccess-
dc.subjectHistória e Fotografia-
dc.subjectfotojornalismo-
dc.subjectFotografia documentaria-
dc.subjectChile-
dc.subjectFotografia Latino-americana-
dc.subjectKena Lorenzini-
dc.titleImagens do Chile: a fotografia documental entre a denúncia social e a expressão autoral-
dc.typeArticle-
dc.date.updated2019-04-30T12:56:12Z-
dc.identifier.doiDOI:10.15448/1980-864X.2018.3.31742-
dc.jtitleESTUDOS IBERO-AMERICANOS (PUCRS. IMPRESSO)-
dc.volume44-
dc.issue3-
dc.spage528-
dc.epage535-
Appears in Collections:Artigo de Periódico

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